03. THE RECORD+
You are looking at the consecuences of a practice sustained over 15 years.
We look to dive into a massive chromatic experience.
ABSTRACT
An array of three colors plus a dark tone, give the opportunity to generate a full chromatic scale.
CONTEXT
The tension is build up through the interference of flat and 3D elements, to generate optical tension.
LIMIT
Try to let the colors express by themselves.
RESPONSE
Its dramatism explains eloquently.
PERSONAL NOTE:
Kinetic art can take on Nature Symbols. I create this series as a grateful sign for my friends from Caracas, Venezuela.
You are not aware of it, yet there it is.
Order does not eliminate uncertainty. It gives it direction.
Passive kinetic systems designed to fragment and regulate variable solar light.
ABSTRACT
Analysis of the geometric tension between kinetic linear frequencies and the curvilinear trajectories that define form.
CONTEXT
Kinetic transitions operate optimally through straight parallel lines; introducing a circumference naturally resists the progressive shifting required to trigger the optical effect.
LIMIT
To de-integrate circular shapes into thin vertical lines while preserving their perceptual integrity.
RESPONSE
The perception of movement emerges without mechanics.
PERSONAL NOTE:
I found the inspiration for this series during a visit to Venice, Italy. The city with its colors, vibes, experience...
Order does not eliminate uncertainty. It gives it direction.
The perception of movement emerges without mechanics.
Order does not eliminate uncertainty. It gives it direction.
Order does not eliminate uncertainty. It gives it direction.
A kinetic system designed to combine asimétric and organic forms with optical events.
ABSTRACT
Explore the tensions among organic flow forms, linear color arrays and 3D elemnts.
CONTEXT
This piece created for the CASACOR 2.023 Lima Exhibition, for "Studio Lab" ambiance by Fernando Alvarez Architecture firm.
LIMIT
The organic forms complement the industrial and modern elements from the space.
RESPONSE
Probed that kinetic elements are able to integrate with industrial ambiances.
Order does not eliminate uncertainty. It gives it direction.
The perception of movement emerges without mechanics.
Order does not eliminate uncertainty. It gives it direction.
The perception of movement emerges without mechanics.
Order does not eliminate uncertainty. It gives it direction.
The perception of movement emerges without mechanics.
Order does not eliminate uncertainty. It gives it direction.
The perception of movement emerges without mechanics.
Order does not eliminate uncertainty. It gives it direction.
Three-dimensional structures governed by harmonic equilibrium and proportional order.
ABSTRACT
Peru's Inca culture, has many symbols spread across its history. I was surprised by some of them for its meaning and applications in many societal, political and arcchitectural structures.
CONTEXT
For western culture the first representatiion of harmony and proportions is the Vitruvio's Man from Leonardo Da Vinci, that is dated back to emperor's Marco Vitruvio (I b.C). The prehispanic cultures from Inca's Eempire, have the Chacana Cross symbol, that means "the bridge" in Quechua. It circumscribe a square inside a circle in perfect proportions. The cross has more than 4.000 years old.
LIMIT
The challenge was to integrate the proportions of the Chacana cross through the chromatic arrays from my work.
RESPONSE
It generates a geometrical abstraction that fosters the tension between form, color and elements.
PERSONAL NOTE:
PERSONAL NOTE: Chacana is popularly known as the light of the andes, it is possible that this ancient culture kwnos how to live in balance with nature, something that we still need to master.
Order does not eliminate uncertainty. It gives it direction.
The perception of movement emerges without mechanics.
Order does not eliminate uncertainty. It gives it direction.
The perception of movement emerges without mechanics.
Order does not eliminate uncertainty. It gives it direction.
Site-specific interventions integrating kinetic systems into architectural environments.
ABSTRACT
Documentation of a 20 m² site-specific modular installation suspended above the main dining room of Pisco y Nazca Ceviche Gastropub (Bethesda, MD).
Conceived as part of The Chacana Series, the project transforms a permanent architectural condition into a passive optical system where geometry, light and movement continuously interact.
CONTEXT
In October 2023, during the Design Development phase led by the architectural team, DAC Art Consultant commissioned a spatial interpretation of the traditional Peruvian symbol, The Chacana.
The project required a remote execution framework capable of translating a conceptual investigation developed in Vigo (Spain) into a fully engineered installation fabricated in Europe and deployed in the United States.
CHALLENGE
The intervention operated under three simultaneous constraints:
• Structural Compliance: Full adherence to US regulations governing suspended public installations, including load calculations, seismic anchoring, and fire-retardant specifications.
• Architectural Integration: The system had to coexist with existing HVAC infrastructure, electrical layouts and lighting grids without altering the building's mechanical framework.
• Logistics: Every module had to be disassembled, internationally transported and manually reassembled on site while preserving millimetric precision.
RESPONSE
The solution materialized as The Chacana Series: a rigid modular structure composed of ten wooden units measuring 150 × 150 × 12 cm.
Rather than relying on mechanical movement, the installation uses geometry itself as an optical device. The depth of each module fragments the existing light, producing changing chromatic perceptions that depend entirely on the movement of the observer.
Movement emerges without mechanics.
RESULT
Installed and completed in May 2025, the intervention met all structural, regulatory and logistical requirements without modifying the existing architectural infrastructure.
The project functions as a permanent kinetic environment generated exclusively through geometry, light and human perception.
PORTABILITY
The installation was conceived as a modular system. Each unit can be detached, transported and reinstalled independently while preserving its condition as an autonomous artwork.
Every panel is individually signed and accompanied by its Certificate of Authenticity.
The architecture may evolve. The artwork remains.
RESEARCH CONTINUITY
The installation is not an isolated commission but part of an ongoing body of research.
Its value resides not only in its physical presence but in its position within a continuously evolving investigation where each new work reinforces the coherence and permanence of the whole.
Architecture becomes part of the artwork.
Research confronting exhibition spaces through large-scale spatial installations.
Permanent interventions applying geometric research to educational and institutional spaces.
Every new work demands a capacity you don't posses. Building it develops the capacity. By the time the work is done, its author no longer exists.
04. THE ENDORSEMENT+
One conviction across different contexts.
Art & Institutions
• ART100 INDEX. Selected by the Visual Artists Association. London, UK. 2025.
• 2022 - Professional Artist of the Year Award. Finalist. Visual Artists Association. London, UK.
• Represented by "Fidelitas Arte". Art & Investment Group. Madrid, Spain. (2026).
Space & Architecture:
• Project: "Urban Nature"- kinetic ambiance installation. ExpoDeco 2023. Cam & Francia Architecture Studio. Lima, Perú. (2023).
• Project:Pisco y Nazca Gastropub. Kinetic art installation. Main dining room. Bethesda, Maryland, USA. (2025).
• Project:"Studio Lab". Casacor 2022. Installation. Fernando Alvarez Architecture Studio. Lima, Perú.
Systems & Organization:
• Project: B2B Growth Prospecting Model. Starnaliza Holding. 2026.
Observed Outcomes: Conversion cycles reduced from 9 months to 45 days | 70% reduction in operating costs | 3x effectiveness.
05.THE INVITATION+
Every conviction needs a new context.
Not everyone is willing to build.
Every meaningful work demands more than skill.
It demands becoming someone capable of creating it.
Perhaps yours is next...
