Roberto Sayas Art ::KINETIC TIME-SPACE ARTOWRKS TO ENHANCE YOUR LIFE::

TITLE

ALTA VIBRACIÓN #342

SERIES

ALTA VIBRACIÓN

DIMENSIONS:

120x80x04 cms

YEAR

2.022

TECHNIQUE:

Aerography over wood and MDF support. Laser cutted volumes.

PRICE:

US$3.600

AVAILABILITY:

SOLD

PRIVATE COLLECTION:

NEW JERSEY

INCLUDES:

- Original Certificate.

- Technical Sheet.

- Permits.

- Shipment Packaging.

EXHIBITIONS:

Singulart´s online exhibition: "Energizing Works". October, 2.022.

FOR PERSONALINQUIRIES:

Please contact us at this link or DM on Social Media Channels.

About this work...

Inspired by the andean sidewalks, it looks forward to represent the joyful journey of light, color, and shadows around the andean mountains. The sun through its path over the hills remaind the grace and lively colors of natural life.

Color is magical, it love to hide its secrets. Thanks for join us to dicover its secrets.

SIDEWALKS OF LIGHT - ALTA VIBRACION #342

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SIDEWALKS OF LIGHT - FRONT VIEW

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SIDEWALKS OF LIGHT - RIGHT VIEW

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SIDEWALKS OF LIGHT - LEFT VIEW

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SIDEWALKS OF LIGHT - CLOSE UP VIEW

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About the ALTA VIBRACIÓN Series...

This series of works were created from the aesthetic research about the pre-Hispanic heritage of Peru, the Inca Culture. Although he was born in the country, the author grew up at Venezuela, within a different culture. TOne visit to the National Museum, where had been exhibitng samples of archaeological textiles and metals from the Inca's culture, was determining for the development of the "Alta Vibración" Series. From this arose a proposal to present kineticism with a more demanding craftsmanship, where the line is thinner, increasing the frequency of chromatic events under simple geometric figures that simulate the ancestral textile interweaving, using more contemporary color palettes, and where certain dynamics of geometric volumes allow captivating vibrations. One of the most interesting experiences was to see that the Inca ceremonial knife, "El Tumi de Oro" (The Golden Tumi), had auric proportions. This suggests that pre-Hispanic cultures possessed a transcendental knowledge prior to the closest referent of Western civilization, such as the Greeks, and that later, Leonardo Da Vinci often used it, along with other Renaissance artists, to achieve harmony, beauty and balance in his works, which Da Vinci defined as the fundamental proportions.