Roberto Sayas Art ::Kinetic time-space artworks to enhance your life::

TITLE

ALTA VIBRACIÓN #340-MIDNIGHT LIGHTS

SERIES

ALTA VIBRACIÓN

DIMENSIONS:

72x72x04 cms

YEAR

2.022

TECHNIQUE:

Aerography over wood and MDF support. Laser cutted volumes.

PRICE:

US$1.900

AVAILABILITY:

SOLD

PRIVATE COLLECTION:

LIMA, PERU.

INCLUDES:

- Original Certificate.

- Technical Sheet.

- Permits.

- Shipment Packaging.

EXHIBITIONS:

Singulart´s online exhibition: "Night Shadows". March, 2.022.

FOR PERSONALINQUIRIES:

Please contact us at this link or DM on Social Media Channels.

About this work...

Inspired by the andean sidewalks, it looks forward to represent the joyful journey of light, color, and shadows around the andean mountains during the night, where the moon an its multiple phases elapses the environment with grace vibrant colors.

Color is magical, it love to hide its secrets. Thanks for join us to dicover its secrets.

MIDNIGHT LIGHTS - ALTA VIBRACION #340

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MIDNIGHT LIGHTS - ALTA VIBRACION #340 - FRONT VIEW

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MIDNIGHT LIGHTS - ALTA VIBRACION #340 - RIGHT VIEW

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MIDNIGHT LIGHTS - ALTA VIBRACION #340 - LEFT VIEW

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MIDNIGHT LIGHTS - ALTA VIBRACION #340 - CLOSE UP VIEW

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About the ALTA VIBRACIÓN Series...

This series of works were created from the aesthetic research about the pre-Hispanic heritage of Peru, the Inca Culture.

Although he was born in the country, the author grew up at Venezuela, within a different culture.

One visit to the National Museum, where had been exhibitng samples of archaeological textiles and metals from the Inca's culture, was determining for the development of the "Alta Vibración" Series.

From this arose a proposal to present kineticism with a more demanding craftsmanship, where the line is thinner, increasing the frequency of chromatic events under simple geometric figures that simulate the ancestral textile interweaving, using more contemporary color palettes, and where certain dynamics of geometric volumes allow captivating vibrations.

One of the most interesting experiences was to see that the Inca ceremonial knife, "El Tumi de Oro" (The Golden Tumi), had auric proportions. This suggests that pre-Hispanic cultures possessed a transcendental knowledge prior to the closest referent of Western civilization, such as the Greeks, and that later, Leonardo Da Vinci often used it, along with other Renaissance artists, to achieve harmony, beauty and balance in his works, which Da Vinci defined as the fundamental proportions.